Artist’s Statement

My ceramic sculptural forms are built intuitively.  

Emotional and physical past experiences influence these works, in which feelings of absence, impermanence, memory and yearning are explored. The body remembers as much as the mind, and the transference of this conscious and subconscious energy is visually represented in these forms. Each work is a tangible record of my existence and of the complexities of the human condition - desperation, insecurity, joy, sadness, satisfaction, wonder.

At times, I use applied line to impart the illusion of control. The wrapping of thread around my ceramic forms is a cathartic and methodical motion, an attempt to create order from the chaos that inherently lies within both the inner and outer spaces of our lives.

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I am influenced by multitudes of work by many artists - the emotive paintings of Francis Bacon, the hauntingly nostalgic photographs of Sally Mann, the simplified forms of Isamu Noguchi, the simultaneously bold and elegant forms of Richard Serra, the sexually charged works by Egon Schiele, and the lines of Brutalist and Mid Century architecture and the reflective and sinewy work of Lenore Tawney.